Dessa ornitologer, forskare, naturvetenskapliga illustratörer och konstnärer var födda i Haminanlaks nära Kuopio i Finland. I Stockholm i augusti 1828 påbörjade Magnus och Wilhelm von Wright bildverket Svenska Foglar, finansierat av greve Nils Bonde. Detta ornitologiska verk blev klart 1838 och ar en en samling pa178 litografier.   Related Paintings of broderna von wrights :. | metfiskare | studier av alforradare | tva grasiskhanar i al | ejder | karrsnappa |
Related Artists:
GOSSAERT, Jan (Mabuse)
Flemish Northern Renaissance Painter, ca.1478-1532
Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500 Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
Wilhelm von Kaulbach
German Painter, ca.1804-1874,Painter and illustrator. After initial instruction from his father, Kaulbach received his principal education, from 1822 to 1826, at the Kunstakademie, Desseldorf, under Peter Cornelius. Six months after Ludwig I, King of Bavaria, had summoned Cornelius to Munich, Kaulbach followed his tutor to the Bavarian capital, where he worked on various collaborative ventures with other pupils of Cornelius, and completed his practical training on such projects as the decoration of the Odeon (destr.) in 1826, and of the Hofgartenarkaden, from 1826 to 1829 (now painted over). More independent work followed with 16 frescoes on the theme of Cupid and Psyche for the Festsaal of the Herzog-Max-Palais (1829-35; now Munich, Neue Pin.),